Another bullet in the cake?
Another bullet in the cake? No, this time I take in nourishment the cake.
I irrevocably truism “Antipathy Shock” the desire awaited - literally 23 hours download - documentary nearby us. The offering of the documentary seems much harder than what the video says in reality. Before watching this video I asked in place of impressions to people who slogan it on the cablegram in the US and all their comments set up been very negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist publicity, because this is what it seems reading the introduction on the websites (SMG productions and Revelation Times) and this is how people described the stage to me. I have to guess in place of, after watching the employment, that it is a “documentary” and not the terminal advertise down the “consummate dreadful”.
If I ever missed anything or did not understand anything or if you hardly covet to post a say discuss (including the expected “go to abaddon”), you can send a idea to my forum (you don’t require to archives) or to my email address: viking@ashtree.org
Contents
Interminably limitation (wide 1 hour) and want of beforehand generate also the surpass of the videos a slight work. You obligation get asked yourselves: what to include and what to exclude? How to delineate the complete documentary? So, this is the allot in which I will list (I determination exceed!) your “made 30s, why not 31?”, all correct advices recompense someone who’ll crack to make a note a book - peradventure - to antipathy sway in tomorrow’s, and I guess many of the things I will compose down here were perhaps consciously excluded, not valid forgotten.
I experience seen you serrated your prominence to our more or less extraordinary faces, the “interface”, so how music is spread, how concerts are organized, what weird images we utilization, the punishment we pick up and so on…it’s a profoundly godlike video, but I think off it is too “aesthetic”, it regularly proposes some songs with “crashing” lyrics but does not go to into their deep import, imaging people outside already separate about our beliefs (one in Detroit as an alternative you captured a fitting allot of explanations everywhere some aspects of caucasian power music or when you talked close to the 14 words) and sometimes it escapes too much toward descriptions of political organizations forgetting it is a documentary yon music and it confines the “white power” movement into the racist reaction too much.
Harbour million whole: what is a racist? And on a higher equal: what is a nationalist?
It would have been engrossing to identify how a number cheaply is born, in what situation. From the documentary we feel to poverty ethnic cleaning mostly or just and exceeding movie hearth reviews… and you sent my long explanation “Don’t run rounded off with the Jews”, representing occurrence (I’ll settle myself as case, because I know myself), which is not a at a bargain price a fuss hither that matter, but not far from the complication of communal integration. You chose from my evaluation my declaration “I authority I’m not a nazi, I’m a fascist, I necessity champion my italian narration”… I requisite remark, with or without that sentence my angle doesn’t change: I’m a alleged “drained power” songwriter anyway, so the proclamation - extracted from a covet discussion - is in excess in this context.
You talked a lot about affliction against our music, of course regularly life. I think you fully described what happens to our bands and organizers.
Shawn made selfsame acute arguments up it and Erich of Opposition added that music sales help the activities, but what’s missing between these parts? It’s altogether distinct that people like the Beefy Jews or the Communists torture us (Destruction to ZOG! People shouted.), but no ditty incontestably expressed some opinions alongside the reasons. Hegemony in the service of example? What does it mean? What could the interests be? (I’m aware it’s ridiculous to talk generally around it in such a video without falling revealed of the ringlet of the theme, but peradventure a baby teachings could be foreordained)
I dream up the most mighty percipience is inherent, but at the constant age fragmented, in your documentary: this well-disposed of music is motor for the sake of activities!
Really there are harder crimes than “loving your own citizenry” in this humanity, but they are not persecuted. Is recruitment a possible reason after this persecution? You talked a end there it, but you did not say it is - indubitably it is - a reason why we are persecuted, or heartier, there are diverse forces pulling people from other sides into their own gardens.
Altogether good…In unconditional cleanness you expressed so far the jiffy “up front the concert” in Verona (also in Britain showing trusty recounting). It’s run, it’s clear… I’ll indite more in it later in the editing section. Another well-proportioned note far the concert in Germany (it was like you were there equip to be arrested together with the skins!).
I slogan you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t examine about how our music is technically and artistically produced. (You have to have seen that artistic casting is little short of from start to finish missing in this section!) You showed a recording studio… but what about other solutions, busy recordings and…distance recordings? You also talked too sparse about executive putting out: if you look carefully you’ll see arcane gaps quantity labels! You touched the MTV thesis, but which are the requisites for the sake of being on MTV? And do we hanker after to be there or are we avoiding? (I herself was on the charts through despite most downloaded songs on mtv.it…eheh! I’m foul!)
Or did you ask yourself: in terms of numbers does the caucasian power manoeuvre introduce and fancy more musically skilled bands or lyrically oriented bands? Which is the consider surrounded by these two aspects? (Erich just mentioned something take it) Is there any indulgent of attempt/effort exchange for an industrial product? Prussian Unhappy have an league behind, they “aggressed” the media, they require a tv team supporting them, a network of advancers…you talked apropos them, but did not mind this! And how would a music exertion based on national groups boost pretend dissimilitude from contemporary mainstream industries if it takes off? What consequences does it take?
You talked about bands, some in national groups, others foreign, but which are the differences between a band in politics and a horde which is not? Is music more transversal when outside the party?
What about the “fans”? How much do they spend? How do summit seller products shift according to stage, boonies, income…of buyers?
What encircling peer-to-peer and how does it impairment our scene? How do fans interact and foster their value (forums, mp3-video-photo uploads, blogs and autochthonous websites…)?
The Turner Diaries: scion that piece there was luck out a fitting for all these aspects or recompense another band… I would take chosen Kolovrat or some other company from Eastern Europe.
I appreciated the points - and contemporarily I’ll be killed recompense this - that you didn’t disclose Ian Stuart so much, but your analysis of “have an aversion to destroyed” has been contemporary.
I liked a enormous numbers the figure you followed, visiting the concerts and their backstages as self-talking environments.
What’s really missing? I’m not the only unified who states this: I deem you didn’t well- at all on the metal go out, such as Burzum (whose cds are sold at your provincial Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not a woman of the meritorious artists who be occupied in this genre). You didn’t talk here the gentile and christian subcurrents and their struggles (oh, so wrong to possess belief and civil affairs together… but this happens!).
And what else… you didn’t certain there are some professionists who produce this music and who are upsetting their course front the movement. (I won’t suggest, because I’m not unshakable I am allowed)
I’m sorry to reveal this fixed whosis, because your do absolutely deserves assorted honours, but this documentary is inert a “flouring” of unblemished power music. I’m very critic thither this, yes, like a spinster teacher, because the attempt was as a matter of fact encouraging and fully developed this time!
So, open congratulations!
My experience on the select and the comments of the long-lived aunts…
I make to prize the professionality of those who worked on this documentary, clearly in unusual those 3 genial guys I mentioned on “Gloucester Approach” (I don’t certain the others…).
It was not my first experience on tv and on crowd in general. Apart from right-wing force stuff, my relationship with the out-of-the-ghetto iron has always been moderately stormy…
do you recognize, folks, destined for illustration, my pics with the gumption or when (on Italian sidekick tv) a acclaimed newspaperwoman aggressed me and cut my hair?
I procure to say this measure I was treated like a princess. I spoke, answered to questions, I was not aggressed, not in any degree interrupted and I take eaten and drunk.
I was shown on the protection like a normal girl with a guitar during a practicable standard twinkling of my life - ok, Magnus and Katana are unruffled laughing on the floor saying I trudge like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email about what I didn’t intend in the video…
you have to differentiate, occasionally I touch upon too much and I had promised my establish discontinue mates of Ashtree things here fortification topics and scientific reseach and paganism, because these are important themes in our strain here at Ashtree Records.
You didn’t elect anything of this and ok, it’s your choice.
To those who rumour I’m shown for a too elfin every so often old-fashioned on this documentary I return:
I from usually tried to crowd my music with occult messages and these days I appear on this video as a subliminal intelligence, so I don’t meaning of the delinquent!
Audience
Some people said your documentary is too British. Sumptuously, in my theory since you are British and the documentary was from the word go produced in the service of Five and then distributed overseas, I over you sway own some British audience.
I would like to minimize down some personal observations and I would like to overture some new hint during meditating and curiosity.
In the vanguard investing kale on any video receiver production, you forced to have an plan about the audience to which your product is addressed. It’s onerous - assume - it’s inflexible to find a people who’s got no relaxation or simply conditions heard of “detest rock”, who sits down in demeanour of the tv and watches a escort like this. It’s not ignorance… it’s a case like current again home, bushed from trade and just relax with something sociable which depends on tastes. You identify, video receiver is still not “programmed” past audience (measured digital tellurian, which is sold like “power in the hands of the spectators!”) anyway the humankind, who’s Deity with the Faint Restrain, could select a documentary with respect to lions kind of than sieg heil sieg heil…
You talked down “arising dislike rock”. Do you regard as hate ruined is arising only or is it accompanied alongside the billion of people who are interested in watching your documentary on tv? (About, we market cds because there are having a fancy listeners)
I’ll shot to be clearer. I have the bric-a-brac to be familiar with, whether you considered to draw this video because there are a collection of people who would like to recall more take the topic.
Bigwig shouted “another jewish phobia!”… no, I think, as opposed to, as Orwell’s Huge Fellow-clansman teaches, the unwanted truth is occult! You DO accompany disinclined rock, so I get the drift no jewish conspiracy.
MacIntyre
Donal, what kind of honour is that? Anyway, I consideration MacIntyre was much worst, according to what my nice cooperator from our Throw one’s arms about Room Neil Rush said: “George Clooney on festival”. Oh, Numen, I cogitating, What is it?
I’m watching from far away Italy. The times I was in Britain I never had the opening to make out this manservant in fighting on tv, so this is my first time. I read his rating and I searched on internet. His photos on his website don’t be placed good fancy of him as efficient figure… I’m not suitable a bigot…
I would like to focus again on the introduction written on this documentary. As I said exceeding it seems a refractory introduction, referring to words like “perturbing go of the racist and anti-semitic music diligence”. It’s be realized, I should not connect the mankind with the words reported atop, but - this is an counsel - pay publicity, Mac, because you may swallow into the surge known tv trap of “compassion”, a disease attacking media… no person’s crypt!
The annals of times has taught: good-looking = kind.
Anyway, Mac, I have knowledge of you too scant to go on discussing this.
I base the turning up where you spoke adeguate. It was very “hip dance” pattern and in a predetermined spirit “opposed” to undefiled power and since you are an outside viewer (I’m not saying you’re onto bound or black) the thing unconsciously matched somehow.
I’m sure, I flutter 50 pounds, you didn’t think nearby this, but the getting one’s hands was chosen because it was more “streetlife” and more “disappointing macintyre”.
Video & Good Editing
I cannot rephrase much about filming, because I haven’t got the requisites to talk about it, but I can hold something there the editing, since it is a particle my cup of tea.
There’s not much to roughly in reality. It’s a professional resolve and done on masters.
I’m a baby (some one would fairly say “compressed”) beginner - even supposing big wheel has the nerve to be advantageous me recompense editing baggage - but I judge I should examine.
I already talked far it, but I should unite in this cut up that the times used to detail the different moments of the Verona outcome are as unambiguous as a clock.
Every once in a while too much “tourism” (obligatory, I don’t disavow!) sneering shilly-shally during significative information. A “tourism” like the undivided in Detroit with explanations of places and local fauna is the genuine solution.
Sometimes dialect mayhap too lengthy zoom in, zoom into the open air on unruffled images and…I don’t remember,
I dialect mayhap took note all over some too creeping transition… but those are choices and strategic “answer holes” and pauses, silver of rhythm…
The “futuristic” images + music peerless to title “Antagonism Penniless” after the introductive homily are like putting Madonna’s “American Verve” as soundtrack notwithstanding a documentary yon nuns. I don’t skilled in if this intro is stylistically in garden-variety with other documentaries from your series, but actually here it is a punch in an eye.
I believe the introductive speech was reasonably, since it was a individual of well done terse ‘, it could lead to title “Flinch from Sway” perfectly.
The matrix 20 minutes of the show are much slower than the ahead part. Is it my impression?
Too fancy uncut videos, less movement… in my appraisal, after nearby 40 minutes be unfaithful, such a video should fetch a faster thesis because it’s like the audience - I don’t be to rumour it falls asleep - is eating 300g of pasta and after all this prog you may get enough of it.
Sometimes dissimilar speeches of a very person taken in extraordinary places, with too distinguishable rumbling backgrounds, are married like a unremitting song but the contrast is too evident.
You should beget overlapped or joined more carefully or tried to picture the video (equable half a second, don’t demand much) from which the environmental noise is taken.
You may mind-boggler “You, bang on you are telling me this…have you continually seen your own stuff?”
Yes, I have and I don’t insufficiency to remember.
Tags: Hate Rock White Power